Indie Rock is a subgenre of Rock music that originated in the United Kingdom, the United States, and New Zealand in the 1970s. The term “indie” was coined in the late 1970s to refer to Punk Rock and Post-Punk bands that would release music independently in an industry dominated by major labels. Although the term was originally used to describe Rock music released through independent record labels, in the 1990s, it was more broadly associated with the music produced by such bands, which was initially used interchangeably with terms Alternative Rock and Guitar Pop Rock.
Indie Rock is associated with a less mainstream-oriented sound and a DIY ethos to recording and production. It dabbles in Pop-informed songwriting and draws influences from sound palettes ranging from Contemporary Folk to Punk. Indie Rock artists often embrace an autonomous approach to achieving a more “authentic” or raw sound, writing their music alone without outside assistance.
The term Indie Rock, which comes from “independence,” describes the small, relatively low-budget labels on which it is released. Although distribution deals are often struck with major corporations, these labels and the bands they host have attempted to retain their autonomy, leaving them free to explore sounds, emotions, and subjects of limited appeal to large, mainstream audiences. The artists’ influences and styles have been extremely diverse, including Punk, Psychedelia, Post-Punk, and Country.
In the 1980s, the term “indie” shifted from its use by record labels to describe the style of music produced by Punk and Post-Punk bands. The sound of Indie Rock has its origins in Dunedin, New Zealand, and in The Chills, Sneaky Feelings, Tall Dwarfs, The Clean, and The Verlaines, and in early 1980s college rock radio stations that frequently played Jangle Pop bands like The Smiths and R.E.M. The genre solidified itself during the mid-1980s with NME’s C86 cassette in the United Kingdom and the underground success of Sonic Youth, Dinosaur Jr., and Unrest in the United States.
During the 1990s, the mainstream success of Grunge and Britpop, two movements influenced by Indie Rock, brought increased attention to the genre and saw record labels use their independent status as a marketing tactic. This led to a split within Indie Rock, one side conforming to mainstream radio, the other becoming increasingly experimental. By this point, “Indie Rock” referred to the musical style rather than ties to the independent music scene. By the end of the 1990s, Indie Rock developed several subgenres and related styles, including Lo-Fi, Noise Pop, Emo, Slowcore, Post-Rock, and Math Rock.
In the 2000s, Indie Rock reentered the mainstream through Garage Rock and Post-Punk. Changes in the music industry and the growing importance of the internet have enabled a new wave of Indie Rock bands to achieve mainstream success, raising questions about the term’s meaning.
In the 2010s, Alternative Rock retained its popularity through more successful Indie Rock acts such as Car Seat Headrest and Mitski. In addition, a wave of new “bedroom artists” appeared, recording and releasing their music without record-label interference, usually at home.
sources: discogs, wikipedia, rateyourmusic
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